Olinda – “Oh, beautiful!”

Olinda is a historic city in the Brazilian state of Pernambuco, located on the country’s northeasternAtlantic Ocean coast, just north of Recife and south of Paulista. It has a population of 376,800 people (2005) and is one of the best-preserved colonial cities in Brazil. The city’s name can be interpreted as an exclamation regarding the beauty of its setting (“Ó, linda!” is Portuguese for “Oh, beautiful!”), but a much more likely source is a literary character in the chivalry romance Amadis de Gaula.

Olinda features a number of major tourist attractions, such as a historic downtown area (World Heritage Site), churches, and the Carnival of Olinda, a popular street party, very similar to traditional Portuguese carnivals, with the addition of African influenced dances. Unlike in Rio de Janeiro and Salvador, in Olinda, admission to Carnival is free. All the festivities are celebrated on the streets, and there are no bleachers or roping. There are hundreds of small musical groups (sometimes featuring a single performer) in many genres.

History

Several indigenous tribes occupied the coast of Northeastern Brazil for several thousand years, and the hills of the present day municipality of Olinda had settlements of Caetés and Tupinambá tribes, which were frequently at war. French mercenaries are thought to be the first Europeans to get to the region, but the Portuguese exploited intertribal rivalries and managed to build a stronghold on the former Caeté village in the higher hill. Recent studies by the Universidade Federal de Pernambuco have uncovered new evidence of the pre-colonial population of the area. The settlement of Olinda was founded in 1535 by Duarte Coelho Pereira; it was elevated to a town in March 12, 1537. It was made the seat of the Territorial Prelature of Pernambuco in 1614, becoming the Diocese of Olinda in 1676.

Olinda was the capital of the hereditary captaincy of Pernambuco, but was burned by Dutch invaders. The Portuguese built their town on the hill, for practical purposes (sewers) and to make it easier to defend. In the 17th century the Kingdom of Portugal was united with Spain (the 1580-1640 Iberian Unionperiod). Taking advantage of this period of Portuguese weakness, the area around Olinda and Recifewas occupied by the Dutch who gained access to the Portuguese sugarcane plantations. John Maurice, Prince of Nassau-Siegen was appointed as the governor of the Dutch possessions in Brazil in 1637 by the Dutch West India Company on recommendation of Frederick Henry. He landed at Recife, the port of Pernambuco and the chief stronghold of the Dutch, in January 1637. By a series of successful expeditions, he gradually extended the Dutch possessions from Sergipe on the south to São Luís de Maranhão in the north. He likewise conquered the Portuguese possessions of Saint George del Mina, Saint Thomas, and Luanda, Angola, on the west coast of Africa. After the dissolution of the Iberian Union in 1640, Portugal would reestablish its authority over the lost territories of the Portuguese Empire.

 

(Map made for the Dutch invasion of Olinda in 1630)

Besides its natural beauty, Olinda is also one of the most important of Brazil’s cultural centers. Declared in 1982 a Historical and Cultural Patrimony of Humanity by the UNESCO, Olinda relives the magnificence of the past every year during the Carnival, in the rhythm of frevomaracatu and others rhythms.

The preceding text is a continuation of a series I’m doing on patrimonial heritage.

Hístoria das Cidades Brasileiras

Achei alguns videos que mostram a hístoria de varias cidades brasileiras então vou colocar todas aqui abaixo para você escolher! (I found some videos about the history of various Brazilian cities, which I’ll post below)

Salvador da Bahia

Recife, Rio de Janeiro, São Paulo, e Porto Alegre.

Lenine – Rhythms from Recife to Rio

One of my favorite singers has to be Lenine. I believe I accidently stumbled upon him while listening to a Fernanda Abreu song he played on called “Jack Soul Brasileiro” (a play on Já sou brasileiro, meaning I’m already Brazilian). I’ve seen him live too, at a very small and private venue and it was only $20! He’s not for everyone, as he normally plays an alternative rock (although not always, as you will see below), but those who like him seem to really like him.

He was born in Recife and later on moved to Rio de Janeiro to further his musical career. His real name is Osvaldo Lenine Macedo Pimentel, but everyone knows him solely as Lenine. Not only is he a singer, but he composes, arranges his own music and has played with many other Brazilian singers.

Here’s a music video he did called Hoje Eu Quero Sair Só (Today I just want to get out)

And my favorite song of his (tough to have a real favorite!), O Último Pôr-do-Sol (The Last Sunset)

Chico Science – SDBT Part 3

Another great Singer that Died Before his Time.

Chico Science

Chico Science (March 13, 1966 – February 2, 1997) was a Brazilian singer and composer and one of the founders of the Mangue Bit cultural movement. He died in a car accident in 1997 in Recife, Pernambuco, at the age of 30.

Born in the Rio Doce neighbourhood of Olinda in the state of Pernambuco in Brazil’s Northeast, as a little boy he would sell crabs that he caught himself in the city’s mangrove swamps.

He became the lead singer and major creative driving force of the groundbreaking Mangue Bit band called Chico Science & Nação Zumbi (CSNZ). Influenced by such musicians as James Brown, Grandmaster Flash and Kurtis Blow, their music cleverly fused rock, funk, and hip hop with maracatu and other traditional rhythms of Brazil’s Northeast. Chico had a powerful stage presence that was compared by some to that of Jimi Hendrix.

Before CSNZ, Chico was a member of the bands Orla Orbe and Loustal (the latter named after the French comic book artist and cartoonist Jacques de Loustal).

Around 1991, Chico Science, along with singer Fred 04 of the band Mundo Livre S/A, founded the Mangue Bit cultural movement in response to dire economic and cultural stagnation in Recife and Olinda. CSNZ made their US debut at New York’s Central Park Summer Stage in 1995, opening for Gilberto Gil, with whom he collaborated during the encore. While in NY, they also performed additional shows at CBGB’s, SOB’s and at Bryant Park as part of the JVC Jazz Festival, on a bill with the Ohio Players.

Chico Science & Nação Zumbi toured several times in Europe and brought massive attention to the new generation of Brazilian artists in the 1990s. With only two full albums released during his lifetime “Da Lama Ao Caos’ (‘From Mud To Chaos) and ‘Afrociberdelia’ (as well as a postuhumous double CD of remixes and live recordings “CSNZ’), his influence and vision became the foundation to a whole new generation of musicians in Brazil. Chico’s genius was to celebrate the rich and fascinating local culture of his home state of Pernambuco state and fused it with all the modern global trends of the 1990s – Computers (hence the word bit, first confused for and now accepted as a musical beat), Mud, Misery, Cyberspace, Hip Hop and roots music co-existed peacefully in Chico’s world.

Nação Zumbi have continued to record and tour internationally after Chico’s death. Many artists have been greatly influenced by the Mangue Bit movement and by Chico himself. These artists include Cordel do Fogo Encantado, Mombojó e Otto, going on to Sepultura (more specifically the album Roots), Cássia Eller (interpreting his songs Corpo de Lama and Quando a Maré Encher), Fernanda Abreu (Raio X album) and Arnaldo Antunes (O Silêncio album).

Here he is singing Maracatu Atômico